"人民性"与现代书法
Peoplehood and Modern Calligraphy:Lin Sanzhi,The Modern Sage of Cursive Script under Cross-cultural Misinterpretation
摘要
林散之"当代草圣"身份并非单纯依托书技自然熟成,而是20世纪中后期中日文化交流、时代意识形态转型与个体生命体验交织建构的产物.以1973年《人民中国》对现代书法的推介为开端,其草书既与战后日本现代书法形成美学共振,又暗合中国书法"人民性"现代转型的历史诉求,双重认同触发中日书坛的长期关注.改革开放后,国内学界又将其纳入帖学振兴谱系乃至儒学整体范畴,最终完成了从"草圣遗法"到"当代草圣"身份的跨越式建构.本文跳出"技法—风格"的研究范式,结合媒介间性分析、中日书法现代性对比、时代话语流变及公私文本的互文解读,揭示林散之"当代草圣"身份在跨文化误读、意识形态塑造与时代个体遭际中的生成逻辑与建构策略.
The cultural identity of Lin Sanzhi as the"modern sage of cursive script"was not merely formed by the natural maturation of his calligraphic skills.Instead,it was jointly constructed by Sino-Japanese cultural exchanges,the transformation of ideological discourse,and individual life experiences in the middle and late 20th century.Starting from the promotion of modern Chinese calligraphy by People's China in 1973,Lin's cursive script resonated aesthetically with modern Japanese calligraphy after World War Ⅱ,and also catered to the historical demand for the modern transformation of the Peoplehood of Chinese calligraphy.Such dual recognition attracted sustained attention from calligraphy circles in both China and Japan.After China's reform and opening-up,domestic academic circles integrated his calligraphy into the revival lineage of Tiexue and the Confucian cultural system,accomplishing the monumental construction of his identity from"legacy of the sage of cursive script"to"modern sage of cursive script".Breaking away from the conventional"technique-style"research paradigm,this paper adopts intermediality analysis,comparative study on Sino-Japanese calligraphic modernity,evolution of contemporary discourse,and intertextual interpretation of public and private texts to explore the formation logic and construction mechanism of his cultural identity influenced by cross-cultural misinterpretation,ideological shaping and personal life circumstances.
年，卷(期)：
2026, (10)
机标分类号：
J29
I207.4
G125
在线出版日期：
2026年11月2日
