信仰交融与地方实践:明代炽盛光佛牛车巡行图式初探
Faith Integration and Local Practice:A Preliminary Exploration of the Tejaprabha Buddha's Ox-Cart Parade Patterns in the Ming Dynasty
摘要
炽盛光佛牛车巡行图式既是唐代密教消灾仪轨的经典视觉呈现,也在漫长的历史演变中逐渐渗入民间寺观美术,成为地方信仰实践的图像载体.山西长治观音堂明代悬塑中的这一图式,在承袭唐代密教"牛车巡行"核心范式的基础上,叠加宋元道教星神体系与晋地寺观艺术粉本,在尊崇星官、宣导礼仪、强化农耕文化认同的同时,也充分展示了民间艺人开展图像营造背后的创作热情与审美趣味,通过星官形象的系统性世俗化与礼仪空间的沉浸式建构,承载辟邪禳灾、祈福纳祥、伦理教化等多重功能,生动体现了明代晋东南多元宗教传统与地方民俗实践的共生机制.
The iconography of the Tejaprabha Buddha's ox-cart procession not only serves as a classic visual representation of the esoteric disaster-averting rituals from the Tang Dynasty but has also gradually permeated folk temple art over its long historical evolution,becoming an image carrier for local religious practices.This iconography,found in the Ming Dynasty hanging sculptures of Guanyin Hall in Changzhi,Shanxi,builds upon the core paradigm of the Tang esoteric"ox-cart procession"while incorporating the Song-Yuan Taoist astral deity system and the artistic sketch traditions of Shanxi temple art.It venerates celestial order,promotes ritual propriety,and reinforces agrarian culture,while vividly showcasing the creative passion and aesthetic sensibilities of folk artisans in image-making.Through the systematic secularization of astral deities and the theatrical construction of ritual space,it embodies multiple functions-warding off evil,invoking blessings,and moral edification-offering a dynamic illustration of the symbiotic relationship between diverse religious traditions and local folk practices in southeastern Shanxi during the Ming Dynasty.
年，卷(期)：
2026, (10)
机标分类号：
D630
D90
C912.82
在线出版日期：
2026年11月2日
基金项目：
22YJC760051:教育部人文社会科学研究项目，
