完形釦器
The Origin and Evolution of Kouqi Wares Inlaid with Gold and Silver of the Warring States,Qin and Han Dynasties
摘要
本文综合考古发现与文献史料,深入探讨并证明了魏国河内在金银错漆釦器生产中的核心地位,其精湛的漆艺技术通过工官网络得以传播,对秦汉蜀郡、广汉郡等地的工艺发展产生了深远影响.其涡卷纹饰作为纹样中的核心元素,根源可追溯至商周时期的云雷纹.经过晋国的复兴与发展,金银错漆釦器逐渐演变为魏国金银错工艺的典型代表,并随着秦的扩张传播至蜀地.考古出土时多只存釦而不见器,完形后涵盖奁、盒、卮、耳杯、案等日用新礼器,兼具实用与等级标识意义,是战国秦汉贵族身份地位的物质载体,以之展开的研究为理解当时手工业跨地域互动提供新视角.
This paper integrates archaeological discoveries and historical sources to thoroughly explore and demonstrate the central role of Henei in the Wei state in the production of gold-and-silver-inlaid lacquer vessels with metal rims.Its refined lacquer techniques spread through the official workshop network and profoundly influenced the development of craftsmanship in Shu Commandery and Guanghan Commandery during the Qin and Han periods.The spiral motif,as a core element of the decorative patterns,can be traced back to the cloud-and-thunder pattern of the Shang and Zhou dynasties.After revival and development in the Jin state,gold-and-silver-inlaid lacquer vessels with metal rims gradually became a representative form of Wei gold-and-silver inlay craftsmanship and were transmitted to the Shu region with the Qin expansion.Archaeological finds often preserve only the metal rims without the vessels themselves;after restoration,the reconstructed forms include lian,boxes,zhi,eared cups,and trays,which served as new ritual vessels for daily use.These objects combined practical functions with markers of social rank,functioning as material carriers of aristocratic status during the Warring States,Qin,and Han periods and offering a new perspective for understanding cross-regional interactions in craft production at the time.
年，卷(期)：
2026, (10)
机标分类号：
K876.41
K232
D0-0
在线出版日期：
2026年11月2日
基金项目：
24YJC760052:教育部人文社会科学研究项目，
