全因素造型与笔墨重构
All-Factor Modeling and Reconstruction of Brush and Ink:On the Language Construction and Historical Narrative of Zhao Jiancheng's Figure paintings
摘要
赵建成人物画的艺术价值,不仅体现于写实造型与传统笔墨的融合,更在于以"全因素造型"为方法核心,对画面结构、空间关系、笔触肌理等基本形式整体重组.在其创作中,重彩厚画法风格实验是构成全因素造型的视觉基础;"以书入画"也不是对既有写实方法的否定,而是将传统线描造型重新纳入人物造型的整体结构.由此,形成的综合性语言进一步塑造人物品格与群像面貌,使个体精神、群体秩序与宏大叙事得以统一.
The artistic value of Zhao Jiancheng's Figure painting is reflected not only in the fusion of realistic styling with traditional pen and ink,but also in the overall reorganization of basic forms such as picture structure,spatial relations,brushstroke texture,etc.,with"all-factor styling"as the core of the method.In his creation,the heavy-colour painting method is not a simple style experiment,but constitutes the visual foundation of all-factor styling;"picture by book"is also not a denial of existing realistic methods,but a re-incorporation of traditional linear styling into the overall structure of character styling.The synthesized language thus formed further shapes the character of the characters and the face of the group image,allowing the unity of individual spirit,group order,and grand narrative.
年，卷(期)：
2026, (10)
机标分类号：
J212
I206.6
H0-05
在线出版日期：
2026年11月2日
