外拓新形 内守古心
Expanding New Forms Without,Guarding the Ancient Heart Within:The Return to Tradition in Li Xiaozhu's Ink Art
摘要
当代水墨形式革新与精神传承难以兼顾的现实矛盾一直存在,李晓柱的水墨艺术是外在视觉现代革新与内在精神向传统文人写意的回归.他的水墨实践既有现代视觉语言的笔墨表达,又有中华文明精神的意蕴意趣,形成"外拓新形、内守古心"的创作范式,以现代的视觉语言活化传统精神文脉,实现形式创新与精神内核的融合,为当代水墨守正创新、构建本土艺术话语提供了实践参照.
There has long existed a practical tension between formal innovation and spiritual inheritance within contemporary Chinese ink-wash painting.Li Xiaozhu's ink-wash works achieve modern visual breakthroughs on the surface while turning inward to embrace the expressive spirit of traditional literati painting.Rooted in modern visual language,his practice features refined brushwork and ink handling as well as allegorical undertones derived from the spiritual core of Chinese civilization.This shapes his creative paradigm of"exploring new forms outward while upholding ancient spiritual aspirations inward".By revitalizing traditional cultural heritage with modern visual approaches,he realizes the integration of formal innovation and intrinsic spiritual value.It offers practical reference for contemporary ink-wash painting to carry forward fine traditions and pursue creative advancement,as well as for constructing indigenous artistic discourse.
年，卷(期)：
2026, (10)
机标分类号：
I206.7
J212
J524.4
在线出版日期：
2026年11月2日
